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Scattered reminiscences of Robert S. Carlson, son of Robert C. E. and Grace (NYSC c[irca] 1952- c[irca] 1960)

Dad joined the North Shore Yacht Club in about 1952. The members were nearly all sailboat enthusiasts, and all sailboats were of the Fleetwind Arrow type, about 18 feet long by six feet wide, with a main sail and jib (smaller front sail). The beach was quite sandy, and a line of metal grids made it easier to move a boat-laden trailer across the sand. An electric winch pulled the boat/trailer combination out of the water. The yacht club area was at the bottom of Park Avenue in Highland Park and the public beach was to the south. The only access in or out was via a single-lane road that descended and ascended the ravine through a series of switchbacks. In case someone started up or down when someone else was already moving through, there were two or three pullouts where a car could pull over to let a car and trailer
pass. (An ascending exit road was built to the north in the 1960s or '70s.)
There was only one family with a motorboat: Stan and Marian Scruggs, who moved to Texas around 1960 and owned a motel on (South?) Padre Island.
Strong memories of touch and sound came from the clubhouse. The ground-level floor in the clubhouse was made of concrete, and naturally there was a coating of sand on busy days. The cool temperature of the concrete and the texture of the sand on top of it made for a unique sensation on the feet that can still be conjured up. The principal indoor memory, however, is of the Coca-Cola machine. From what I found on the Internet, the machine that most clearly resembles the one at NSYC is the Vendo 59. It was made from 1948-1951 and composed of a Westinghouse refrigeration unit and Vendo mechanical works (see photos). You put ten cents into the slot, turned a metal disc until it
stopped (there was a wonderful ratchet sound), and then opened a little hatch in the cover and pulled out your 8-ounce bottle of ice-cold coke. I saw it refilled once or twice and wasDad joined the North Shore Yacht Club in about 1952. The members were nearly all sailboat enthusiasts, and all sailboats were of the Fleetwind Arrow type, about 18 feet long by six feet wide, with a main sail and jib (smaller front sail). The beach was quite sandy, and a line of metal grids made it easier to move a boat-laden trailer across the sand. An electric winch pulled the boat/trailer
combination out of the water.
The yacht club area was at the bottom of Park Avenue in Highland Park and the public beach was to
the south. The only access in or out was via a single-lane road that descended and ascended the ravine
through a series of switchbacks. In case someone started up or down when someone else was already
moving through, there were two or three pullouts where a car could pull over to let a car and trailer
pass. (An ascending exit road was built to the north in the 1960s or '70s.)
There was only one family with a motorboat: Stan and Marian Scruggs, who moved to Texas around
1960 and owned a motel on (South?) Padre Island.
Strong memories of touch and sound came from the clubhouse. The ground-level floor in the
clubhouse was made of concrete, and naturally there was a coating of sand on busy days. The cool
temperature of the concrete and the texture of the sand on top of it made for a unique sensation on
the feet that can still be conjured up. The principal indoor memory, however, is of the Coca-Cola
machine. From what I found on the Internet, the machine that most clearly resembles the one at NSYC
is the Vendo 59. It was made from 1948-1951 and composed of a Westinghouse refrigeration unit
and Vendo mechanical works (see photos). You put ten cents into the slot, turned a metal disc until it
stopped (there was a wonderful ratchet sound), and then opened a little hatch in the cover and pulled
out your 8-ounce bottle of ice-cold coke. I saw it refilled once or twice and was impressed by the fact
that for each bottle below, there was only one spot in the metal disc that lined up with each bottle to
allow you to take your purchase.
One other aspect of the Coke machine in my memory is that it was my principal source of Coca-Cola
until I was at least ten years old. Therefore, the taste of Coke was "learned" at the yacht club, and for
whatever reason, Coke has never tasted the same from any other container (glass, aluminum or plastic,
of any other size), compared to the eight-ounce glass bottle, drunk on hot, humid days in the summer.
Childhood at North Shore Yacht Club in the 1950s
09/19/2013 2
For me, an actual ride in the boat was a fairly rare event, perhaps only once a year. In fairness to Dad,
however, this was probably more stressful for him than a race. By 1958, we three sons were still only
eleven, eight and five years old, and with Mom keeping us in check, Dad had to sail the boat by himself.
Alewives and I never got along (the Internet has plenty of information about alewives). Every year
(usually late July to early August) large numbers of the alewife population died, and the bacteria count
from their decomposition led to ear infections in "more sensitive" individuals like myself. Every year
Mom said not to go into the water, every year it was hot in the sun, every year I went into the water,
and every year I got an ear infection. The solution seems easy enough, but you try taking a kid to the
beach, and while his dad is out having a good time, you tell the kid not to go into the water.
While we're on negatives, the sun and I never got along, either. Dad's ancestry is entirely Swedish, and
Mom's is Scotch-Irish and North German (et al). As a result of an abundance of northern-ness, we were
all shortchanged in the melanin department. We didn't have sun block in those days, so we slathered
on stuff that promoted tanning in skin that couldn't tan. When I felt terrible in the evening after a
Sunday at the beach, Mom got out the cobalt blue glass jar of Noxzema. The menthol in the Noxzema
reduced the sensation that a blowtorch was aimed at my face, for a while. After that, I got a headache
from breathing the fumes, but that didn't help reduce the discomfort of the sunburn.

One year NSYC was invited to participate in a parade, either on Memorial Day or the Fourth of July, that
went westward on Central Avenue from the Northwestern tracks. We went to the yacht club, hitched
the trailer to the back of the car, and went up the Park Avenue ravine drive (I always appreciated Dad's
driving skill because of the tight turns). At the gathering point, fellow NSYC members (who planned to
walk alongside the boat) helped Dad raise the mast, and then the sails, which, naturally, were allowed
to flutter loosely. As we waited, Mom told Bill and me that we should wave at the people lining the
street. This didn't make much sense to me, because I didn't think I would know any of these people
(not having seen parades on TV by this point in my life, it didn't dawn on me that I also had to smile at
them). When it was our turn to join the parade, Dad pulled smoothly into the line and all seemed well.
One or two blocks ahead, an overhead wire became visible, and it was determined that the mast was
too tall. We pulled to the side, and I watched a large part of the parade go by while the crowd got to
see how sails and a mast were lowered and then raised again on the other side of the wire. This
happened again after another block or two, and with very little of the parade still behind us, it was
decided that this wasn't going to work, so we dropped out of the parade. As I saw it, by the time we
got going again, the parade might have ended and the watchers gone home. There were lots of
opportunities to enjoy parades later on, when I played the Sousaphone in marching bands during junior
high and high school in Deerfield, and then at Northwestern as an undergraduate and graduate student,
and after that as an alumnus.
NSYC had its own Fourth of July Fireworks show during the 1950s. It was set up farther up the beach
to the north with professional supervision, and we waited until almost 9:00 pm for the sky to be dark
enough. Finally, the show began, and the appropriate oohs and ahhs were heard, punctuated
occasionally by the surprise of an aerial bomb. I found myself watching the puffs of smoke that
remained after the bright sparkling lights had done their magic, as they drifted out over the lake,
pushed by the wind. My memory says that nearly every year the amount of smoke in the air always
seemed to build in quantity, clouds formed where there had been clear blue sky a few hours before, and
by the time we got into the car to join the multitudes driving up the curves of the ravine, the raindrops
descended and the tail lights of the cars ahead were distorted by the action of the windshield wipers. impressed by the fact
that for each bottle below, there was only one spot in the metal disc that lined up with each bottle to
allow you to take your purchase.
One other aspect of the Coke machine in my memory is that it was my principal source of Coca-Cola
until I was at least ten years old. Therefore, the taste of Coke was "learned" at the yacht club, and for
whatever reason, Coke has never tasted the same from any other container (glass, aluminum or plastic,
of any other size), compared to the eight-ounce glass bottle, drunk on hot, humid days in the summer.
Childhood at North Shore Yacht Club in the 1950s
09/19/2013 2
For me, an actual ride in the boat was a fairly rare event, perhaps only once a year. In fairness to Dad,
however, this was probably more stressful for him than a race. By 1958, we three sons were still only
eleven, eight and five years old, and with Mom keeping us in check, Dad had to sail the boat by himself.
Alewives and I never got along (the Internet has plenty of information about alewives). Every year
(usually late July to early August) large numbers of the alewife population died, and the bacteria count
from their decomposition led to ear infections in "more sensitive" individuals like myself. Every year
Mom said not to go into the water, every year it was hot in the sun, every year I went into the water,
and every year I got an ear infection. The solution seems easy enough, but you try taking a kid to the
beach, and while his dad is out having a good time, you tell the kid not to go into the water.
While we're on negatives, the sun and I never got along, either. Dad's ancestry is entirely Swedish, and
Mom's is Scotch-Irish and North German (et al). As a result of an abundance of northern-ness, we were
all shortchanged in the melanin department. We didn't have sun block in those days, so we slathered
on stuff that promoted tanning in skin that couldn't tan. When I felt terrible in the evening after a
Sunday at the beach, Mom got out the cobalt blue glass jar of Noxzema. The menthol in the Noxzema
reduced the sensation that a blowtorch was aimed at my face, for a while. After that, I got a headache
from breathing the fumes, but that didn't help reduce the discomfort of the sunburn.
One year NSYC was invited to participate in a parade, either on Memorial Day or the Fourth of July, that
went westward on Central Avenue from the Northwestern tracks. We went to the yacht club, hitched
the trailer to the back of the car, and went up the Park Avenue ravine drive (I always appreciated Dad's
driving skill because of the tight turns). At the gathering point, fellow NSYC members (who planned to
walk alongside the boat) helped Dad raise the mast, and then the sails, which, naturally, were allowed
to flutter loosely. As we waited, Mom told Bill and me that we should wave at the people lining the
street. This didn't make much sense to me, because I didn't think I would know any of these people
(not having seen parades on TV by this point in my life, it didn't dawn on me that I also had to smile at
them). When it was our turn to join the parade, Dad pulled smoothly into the line and all seemed well.
One or two blocks ahead, an overhead wire became visible, and it was determined that the mast was
too tall. We pulled to the side, and I watched a large part of the parade go by while the crowd got to
see how sails and a mast were lowered and then raised again on the other side of the wire. This
happened again after another block or two, and with very little of the parade still behind us, it was
decided that this wasn't going to work, so we dropped out of the parade. As I saw it, by the time we
got going again, the parade might have ended and the watchers gone home. There were lots of
opportunities to enjoy parades later on, when I played the Sousaphone in marching bands during junior
high and high school in Deerfield, and then at Northwestern as an undergraduate and graduate student,
and after that as an alumnus.
NSYC had its own Fourth of July Fireworks show during the 1950s. It was set up farther up the beach
to the north with professional supervision, and we waited until almost 9:00 pm for the sky to be dark
enough. Finally, the show began, and the appropriate oohs and ahhs were heard, punctuated
occasionally by the surprise of an aerial bomb. I found myself watching the puffs of smoke that
remained after the bright sparkling lights had done their magic, as they drifted out over the lake,
pushed by the wind. My memory says that nearly every year the amount of smoke in the air always
seemed to build in quantity, clouds formed where there had been clear blue sky a few hours before, and
by the time we got into the car to join the multitudes driving up the curves of the ravine, the raindrops
descended and the tail lights of the cars ahead were distorted by the action of the windshield wipers.

Robert C. E. Carlson (1925-2008) was born in Providence, RI, and as a youngster learned to sail on
Narragansett Bay. He served in the US Navy as an aviation cadet from 1943-1946, and met his future
wife while stationed at Glenview Naval Air Station. Upon release from active duty, he married Grace
Ann Good (1923-2010) and they established their home in the northern suburbs of Chicago. They
raised four sons and had homes in Deerfield, Highland Park, Deerfield, Bannockburn, Diamond Lake, and
Wildwood. They were members of NSYC from about 1952 until about 1960. He made a career as a
carpenter and general contractor, and was highly respected throughout the northern suburbs for the
quality of his work. His outside interests were photography, fishing and aviation, and he was a longtime
member of Saint Gregory's Episcopal Church in Deerfield and the Northbrook Rotary Club.

First mayor of Highland Park.

Apple Tree was a professional theatre company, one of only two in all of Lake County, serving over 30,000 patrons each year, including students in its Workshops. The Theatre won 28 Jeff Awards, with 109 nominations of various kinds, and sent many students and actors on to successful careers throughout the country, including Broadway.

Apple Tree Theatre was founded in 1983 by Executive and Artistic Director Eileen Boevers. Apple Tree Theatre was committed to producing dramas and musicals that "celebrate the tenacity of the human spirit and illuminate the human condition." In its 25th season, the theatre developed a reputation for producing high quality theatre, fortifying a relationship with its audience and artists alike. It was one of only two professional theatre companies in Lake County. It was located originally in the basement of Immaculate Conception Church in Highland Park, until 1988 when it moved to 595 Elm Place, Highland Park. 1988, Apple Tree Theatre also became an Equity Theater after 5 years of performing on special guest artist contracts with Equity.

Apple Tree Theatre produced four main stage shows and three Theatre performances, for Young Audiences productions, a year. A diverse audience of over 30,000 people all over Chicagoland attended its programs annually.
Apple Tree Theatre was honored with 109 Jeff nominations and over 28 Jeff Awards. In 1997, Apple Tree Theatre made history by becoming the only theatre ever to receive Jeff awards for both Best Play and Best Musical in the same season.

Moreover, Apple Tree was committed to providing a nurturing, creative environment for Chicago artists. Apple Tree employed over 200 artists annually as performers, directors, choreographers, musicians, designers, and teachers. Apple Tree consistently produced productions of a high caliber, albeit with modest financial capabilities, and became a home to accomplished artists, many of whom appear regularly on other well-respected stages, such as the Goodman, Chicago Shakespeare, Steppenwolf and the Marriott Lincolnshire.

In addition to its adult main stage season, Apple Tree produced a unique educational outreach program, Theatre for Young Audiences, which was committed to presenting works to an undeserved audience—the middle and junior high school age groups. Established in 1989, Theatre for Young Audiences presentations included stage adaptations of literature directly from the state mandated school curriculum, focusing on diverse themes with plays that incorporated multicultural sensitivity, the physically and mentally challenged, and other challenging themes such as the Holocaust. In 2005, The Theatre for Young Audiences was named one of the finest young people’s theatres in the state by the Illinois Theatre Association.

The Eileen Boevers Performing Arts Workshop (a third aspect of the Apple Tree Theatre) offered year-round classes in theatre performance, taught by instructors who work in theatre and were committed to building confidence, creativity, self-esteem, foundational skills, imagination, and a love for the arts. The Workshop trained thousands of young people, several of whom went on to Broadway or held other impressive theatre careers.

*Information for the biography on Apple Tree Theater was directly copied, with few alterations, from a poster in the collection that gives biographical information.